Showing posts with label Dominique Fricot. Show all posts
Showing posts with label Dominique Fricot. Show all posts

May 28, 2014

Artist Interview: Vancouver's Dominique Fricot

I had a chance to sit down and discuss (via cyberspace) my pal Dominique Fricot's new recording experience, and a few of his favourite things.  Take a minute and read up on what he's all about here.  I suggest you get in on what's left of his ground level because he's soon to be in high demand all over the region and likely North America/the World very very soon.

MZ: In your new song "I miss the 80's" you reference a number of pop-icons and artists but what I noticed was a hint or reference about your sister(s).  Tell me what it is about your siblings and those relationships that inspired this song
DF: While the song talks about a lot of the pop icons of the 80's, I think what I was feeling when I wrote this song was my experience of being 4 or 5 years old and digesting culture through the filters of my two big sisters. All of the tapes I listened to, and opinions on pop culture at the time was very much molded by what they liked and what they were bringing home. As I say in the song "I'm too young to really know" the 80's. Which isn't really true because I was alive, but you made a good observation, my sisters had a big part in my perspective at the time.
MZ: Warne Livesey is a master producer.  What did he bring to the table that was different then other producers from your previous work?
DF: Warne or papa dubs, dubya or Dubstep has an incredible ear for arrangement. His father was a jazz musician so I think that lends a bit to his ear for more elaborate chords and harmonies than other producers I've worked with. What I love about working with Warne is he follows the old adage to "serve the song" as most producers do but he has the sensibility to not make each an every song a radio single. Songs off my record like "hermit in the park" and "you can't leave me" are from he and I's favourite songs and I think it's because we let them be what they were: one a dark creepy ballad that turns into almost a trip hop groover, and the other a short little acoustic lament with a tasteful string accompaniment.
I think Warne has great honest sensibilities while having the pedigree to make a pop hit and get world class sounds on tape (digital tape)

MZ: Was there specific sound themes that you wanted to achieve with Warne?  Were there unexpected or surprise moments on your new LP where you achieved something far better than your expectation?
DF: I wanted the string accompaniments to play a strong part in this record which I think we were fairly successful. For both of us the biggest surprise was where the song Saddest Thing went. We didn't really have anything more than a nice piano part and vocal and then we just started experimenting with electronic beats and putting delays on Rhodes.  Once Warne sequenced that trippy beat every time we'd track or listen back I couldn't help but bounce all around the studio doing my silly weirdo dance.
MZ: I enjoyed your Vancouver locale name dropping on your previous record.  Is the city of Vancouver in this new LP?
DF: Yes, Marty. There is. There's a track called Granville Bridge that was almost this name of the whole record, but I changed if last minute.
MZ: Do you have a favourite craft beer?  What is it and where do you like to drink it?
DF: Nah. Drinking beer for me is something I do with friends. Really the most important thing for me is the company. Therefore I'll say my favourite beer to drink is whatever my man Cory Curtis (bass player on Sweet little fantasy, and Hannah Georgas) is pouring out of his beer fridge, and the best place to be is either on his couch or his deck.
MZ: Here we go.  Who's your favourite Beatle?  Why?  and what's the song/era that connects with you the most?
DF: Knowing you, Marty,  I feel like this whole interview was to get to this question. John Lennon hands down. I like his humour and how he spoke out the most with controversial/hilarious things. What era? I'd go with mid to late. His productivity may have slowed down but I think that's when the production and writing became more interesting and he had long left behind boy girl love songs. It's weird though not my favourite songs, loser and nowhere man are probably the songs I most connect with. Is that bad?

That isn't bad Dom.  In fact, that's probably about right with me too!
--
Dominique's single "I miss the 80's" is available now on iTunes.  I suggest you go grab it.  And then check out all of his other music right away if you haven't already and curl up with a glass of red wine and fall in love with everything this homegrown Vancouver/British Columbian talent has to offer.

Love,
Marty
@martyzylstra


February 17, 2011

Show Review - Dominique Fricot, February 16th, 2011 at the Backstage Lounge

Vancouver is a city of just over 2 million people (including all of the lower mainland).
There is a burgeoning local, independent, original, live music scene.
There are about 5 main venues that independent bands/artists/music groups frequent in the downtown core.
One would assume that as most people love music, a lot of people love the atmosphere of a small club, and then add the intimate nature of the singer/songwriter format, every one of these venues would be packed almost every night in Vancouver?
Wrong.

That being said:
It is very rare to see a place like the Backstage Lounge full on a Wednesday.  Last night was one such rare occasions.  I'm sure there were 100 people who made excuses why they could not make it to Dom's first show with a full band.  They either heard about the show or know Dom personally but needless to say, these mystery 100 people missed something big.  I'm not alluding to Dom's height (which is a common joke and a great conversation starter when you first meet this friendly giant), what I am alluding to is that he is a star.
Charisma cannot be taught.  It cannot be practiced in a rehearsal space.  You cannot take a course on charisma.  I believe you can learn to get better at charisma but some people naturally have it.  Dom has it.  He has it in spades. One of his biggest talents is drawing the listener in with charisma on stage.  I'm not sure if it was just last evening or if this is what every one of his shows is like, but he had the crowd in the palm of his hand.  He could do no wrong.  And he did not do anything wrong.  Even when he told a personal story about a recent experience with the law where he was in the wrong it was not wrong.  He could've fallen flat.  A lesser showman would've but last night he was funny, and bold, and brave, and controversial.  All things I love. 

In a previous post I mentioned that Dom was in a band before he started this solo endeavor.  4 guys writing songs and creating a sound together.  I don't want anyone to take offense to this but I feel that that band is only a shadow of what Mr. Fricot truly is.  His voice commands the stage.  How many times have you seen a singer carry the entire band?  A singer who, when he sings requires little or no instrumentation to fill the room with sound.  The timbre of his voice is extremely powerful.  And he can sing.  Man can this guy sing.  And was the band good?  Yes.  Damn good.  Let me tell you about them.  Firstly, it was clear to me that these guys are great friends of Dom and only want to help him and be a part of what he is doing.  Now I've always thought that if the bass player is really good, that you won't notice what they're playing.  If he's really good you'll only notice when he's not playing.  This guy was a perfect fit to this criteria.  And the drummer could fill the spaces that needed to be filled and play to the song. He was able to build a song dynamically when, at times, he was only using brushes.  There was also a 4th member of the band.  He was the backup vocalist.  He filled in where necessary and was very solid and filled the sound out nicely.  I have barely any constructive criticism but here it is.  Dom, I know you're reading this:  Give him a tambourine and or a tiny keyboard to add a little bit of organ sounds in the background.  I don't even know if it's a good suggestion because too much keyboard and too much instrumentation could ruin this already great band.  But visually it may add to the group and give him slightly more stage presence and build on his existing talent.

Now you'll have to forgive me for not doing 2 things:
1) remembering the song names
2) remembering the band member's names

Now that you've forgiven me, let's talk about the songs.
I hate to go back to previous work, but.  The previous original project Dom was involved in was “ok”.  They were good live, they had good stage presence blah blah blah.  Stifled.  That's the word I want to use when comparing his old band with the new solo material.  The new songs truly suit his voice, they truly suit who he is, and they truly represent him.  They have lyrics that are so powerful and meaningful that you believe what he is singing.  You believe he's lived these songs.  You believe what he is saying what he is emoting what he feels.  And to top it off all the original songs were extremely listenable.  I have to be honest; I really want to hear all these songs again.  On my iPhone/iPod, on my way to work, on a sunny Friday, when you have no cares in the world.  That's what they made me feel like.  They made me feel joy.  And optimism.

He wasn't afraid to take a few risks last night.   He played a beautiful cover of Neil Young's "Harvest Moon".  He performed an acapella number written by a friend with just handclaps and foot stomps.  He performed a duet of Sinatra with the 2nd act on the bill.  

This is the kind of guy Dom is:  There can be no live music in the Backstage Lounge until the Arts Club upstairs is finished.  They were running a hair late.  So what Dom did is play 6 songs to open the set and then the "opening act" performed her set (she was nervous as hell but she has a nice voice and has lots of "upside").  When she was finished Dom came back on and played 6-7 more songs.  A heart of gold.  It gave the crowd a chance to see both acts and if they didn't want to stay until almost 1 a.m. at least they got a chance to see some of the show.  When he returned to the stage for his final set, I was considering ducking out about half way through.  Hey, at least I'm honest right? 

I could not leave.  I was glued to my seat just like you would have been if you had been there.

Next time be there.

Dominique Fricot - Legend.
www.myspace.com/dominiquefricot
www.youtube.com/dominiquefricot
www.twitter.com/dominiquefricot

Love,
Marty
@martyzylstra

February 15, 2011

The Tallest Man I know

I formally met Dominique Fricot a number of years ago at a music seminar I attended.  I'd seen him around at shows and seen his band "the Painted Birds" play a few times and even played a show with them.  We seemed to have a similar view on music and shared opinions on the state of the music industry and were able to offer each other constructive critiques of each others music.  After that, I invited him to a few shows and last year we spent just over a week together on a holiday at the Coachella festival. 

Last year he told me that the Painted Birds decided to go their separate ways and he was deciding to take the solo route. He wanted to change musical directions and show a new side of himself as a writer.  At the time I was interested to see where this new path would take him and was looking forward to hearing some recordings.

Now if you talk to Dom, he'll tell you how many times I ditched out of attending one of his shows.  Maybe he'll tell you I'm a bit of a flake.  I don't mind.  If you know him personally you will know that he will tell you exactly how he feels about you.  Both the positives and negatives.  I suppose this is the nature of an artist who wears his heart on his sleeve.  He has an immense heart and I think it takes a lot of courage to challenge your friends to grow and offer real perspective into not only what they are doing right and why, but also what they should consider changing in their lives.  He's recently given me some hard advice.  I really appreciated it and have since been trying to fix the things he suggested I at least attempt to fix.

So he phones me this week.  He has a show coming up and wants me to come.  He's been reading the blog and thinks it's pretty good and I may have a talent.  I said I'd love to attend as long as my rehearsal schedule does not conflict.  He says, come on, I'm on late enough that you'll be able to catch it.  I say ok, but I want to hear a demo song, and talk about it here. 

Last night I get an email with a demo he wants me to hear.  "What can I give" is the title. 
My first impression is that yes this is a different direction.  I'm not a huge "singer songwriter" fan but lately am becoming more drawn to this more simplistic art form.  Want to talk about courage?  Try singing a song on a stage with just an acoustic guitar and your voice.  You better be damn good as a vocalist and/or a guitarist.  Dom happens to be both.  He has tone in his voice.  He picks unique chord phrasing.  He arranges tasteful wandering guitar lead lines.  This song build from the start with just his voice and a guitar and builds with drums and bass and horns until the crescendo and then it's over.  You want to hear it again.  Here are sample lyrics:
I must be crazy cuz I'm thinking bout you all the time/I don't even know you that well/And what, the hell/I'll just call you up with something to do/You say yes you say maybe you'll say wait and see

I really like this song.  Maybe I like it even more because Dom is my friend.  My only small criticism of this song is related to production.  I'm sure when it is recorded in a studio with real production it will be even better.  I hope you come to his show tomorrow (Februrary 16, 2011) at the Backstage lounge (Granville island) and see what Dominique Fricot is about.

I will be doing a show review on Thursday so stay posted.

Here are his links:
www.myspace.com/dominiquefricot
www.youtube.com/dominiquefricot
www.twitter.com/dominiquefricot

Here is "What can I give" on Youtube:


Please download all of Dom's work here:
http://www.dominiquefricot.bandcamp.com/

Love,
Marty
@martyzylstra